“Countless bands hedge their music with heaps of irony (arguably vice versa in some cases), but few buttress it with DATAROCK’s technical prowess… they also sport some of the slickest dance production in the biz, not to mention their effortless traversing between neurotic post-punk licks and coked-to-the-gills 1980s synth pop.” – Pitchfork “DATAROCK’s ears are in…
“Countless bands hedge their music with heaps of irony (arguably vice versa in some cases), but few buttress it with DATAROCK’s technical prowess… they also sport some of the slickest dance production in the biz, not to mention their effortless traversing between neurotic post-punk licks and coked-to-the-gills 1980s synth pop.” – Pitchfork “DATAROCK’s ears are in…
“Countless bands hedge their music with heaps of irony (arguably vice versa in some cases), but few buttress it with Datarock’s technical prowess… they also sport some of the slickest dance production in the biz, not to mention their effortless traversing between neurotic post-punk licks and coked-to-the-gills 1980s synth pop.” – Pitchfork “Datarock’s ears are…
“Countless bands hedge their music with heaps of irony (arguably vice versa in some cases), but few buttress it with Datarock’s technical prowess…they also sport some of the slickest dance production in the biz, not to mention their effortless traversing between neurotic post-punk licks and coked-to-the-gills 1980s synth pop.” – Pitchfork “Datarock’s ears are in…
“8/10… The dynamic arrangements by the BIT20 Ensemble are no mere classy embellishment, but a collaboration that pushes Saroea’s voice to greater heights, to match the racking thrill of the strings on Covid isolation meditation…” – UNCUT “… here [Fredrik Saroea] is all classed up, laying down some serious nylon string guitar work with the BIT20 Ensemble.”…
