“A whole new world of electronic-based dreampop… With a perfect sense of space and symmetry, Saks’ particular sonic trajectory presents a sound unlike pretty much anything else out there on the ambient-pop-gaze music landscape” ~ Big Takeover Magazine “Electronic reverie… there is some continuity between the blissful escapism of Saks’ previous band Sway and FLDPLN… ecstatic…
The Gorstey Lea Street Choir take flight on high-spirited ‘That Chitty Bang Majik’, mixed by George Shilling (Blur, Primal Scream, Cathal Coughlan) “Psychedelic delight that will bring you to a state of bliss or trigger flashbacks to brilliant musical offerings of yesteryear… Superb musical mastery, fascinating dynamics and professionalism in production” ~ Big Takeover Magazine…
“AMMO recalls so many different artists (Kate Bush, Jane Siberry, Cocteau Twins, Slowdive), while not sounding particularly like any of them very much. This is melancholic loaded reverie, capable of entrancing you into Lynchian territory” ~ The Spill Magazine “Glorious… AMMO now offers an amazing piece loaded with her shoegaze and the dream-pop crafts all…
The ‘Burn’ LP from the Dead Can Dance members is out now via Atlantic Curve “The operatic tics of Gerrard’s voice merge with Maxwell’s anthemic, cinematic music spectacularly” – MOJO Magazine “Burn is as essential as anything else in Gerrard’s unique songbook” ~ theMusic.com.au “Transformative vocals that are haunting and mesmerizing… vast auditory worlds that are…
“The lyrics are uniformly excellent…Coughlan reminds you again and again just how good he is” ~ The Irish Times “A brilliant opus… perhaps his best record to date” ~ The Spill Magazine “Each slice of spiky post-punk/pop is every bit as intriguing as his witty and acerbic lyrics” ~ Sunday Times “Coughlan’s sixth solo album is a real…
“Incredibly talented and unique… in a universe of less brilliant stars. Keeley is certainly a refreshing discovery. It’s only a matter of time before she’s conquering earbuds and capturing hearts on this side of the Atlantic” ~ Big Takeover Magazine (New York) “Arranged around a mesmerizing movement of drifting guitars and fuzzy vocals, “Never Here…
“Haunting, cavernous, mysterious, heavy and dark… Purveyors of a huge sound with a loaded message” ~ Big Takeover Magazine “Ambitious… a pounding reality-based offering” ~ The Spill Magazine “Quest for spiritual healing and dealing with the highs and lows of life and toxic people. It touches upon how hard is to cope with grief and loss and how rewarding…
“AMMO recalls so many different artists (Kate Bush, Jane Siberry, Cocteau Twins, Slowdive), while not sounding particularly like any of them very much. This is melancholic loaded reverie, capable of entrancing you into Lynchian territory” ~ The Spill Magazine “Glorious… AMMO now offers an amazing piece loaded with her shoegaze and the dream-pop crafts all…
“Psychedelic delight that will bring you to a state of bliss or trigger flashbacks to brilliant musical offerings of yesteryear… Superb musical mastery, fascinating dynamics and professionalism in production” ~ Big Takeover Magazine “Pleading, swirling Powerpop that clearly references the heroic Pop of the 80’s with a contemporary bent’ ~ Fresh On The Net “A ridiculously…
“A whole new world of electronic-based dreampop… With a perfect sense of space and symmetry, Saks’ particular sonic trajectory presents a sound unlike pretty much anything else out there on the ambient-pop-gaze music landscape” ~ Big Takeover Magazine Phoenix-based dream-electronic artist FLDPLN presents his new single ‘Escalator’, previewing his full-length album by the same name. Scheduled…
“The operatic tics of Gerrard’s voice merge with Maxwell’s anthemic, cinematic music spectacularly” – MOJO Magazine “Burn is as essential as anything else in Gerrard’s unique songbook” ~ theMusic.com.au “Transformative vocals that are haunting and mesmerizing… vast auditory worlds that are easy to get lost in” ~ The Spill Magazine Atlantic Curve has announced that ‘Burn’, the…
