# You, Me, And Everyone We Know release cathartic “draggedacrossconcrete” single/video, premiered via FLOOD

- Link: https://www.nyrdcast.com/you-me-and-everyone-we-know-release-cathartic-draggedacrossconcrete-single-video-premiered-via-flood/
- Published: 2021-06-29T11:30:00-05:00
- Author: Eugene Tierney

[[

**You, Me, And Everyone We Know** **Release Cathartic Single/Video 
“draggedacrossconcrete”


Premiered _via_ FLOOD

you, me, and everyone we know - draggedacrossconcrete ft. Colins Regisford (Official
Lyric Video)

[⌊you, me, and everyone we know - draggedacrossconcrete ft. Colins Regisford (Official
Lyric Video)⌉⌊you, me, and everyone we know - draggedacrossconcrete ft. Colins Regisford(
Official Lyric Video)⌉
Watch this video on YouTube

**You, Me and Everyone We Know “draggedacrossconcrete”**

**JUNE 29, 2021 (Lancaster, Pennsylvania)** — Self-proclaimed soul punk band **You,
Me, And Everyone We Know **– project of **Benjamin Liebsch **(pronouns: He/Him or
They/Them; Ben is non-binary) – is back with “[**draggedacrossconcrete**](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=c98f1f9f63&e=615f2b8493)**”
ft. Colins “Bear” Regisford **(bassist of Mannequin Pussy), a taste of new music
after 2019’s **“(Still) Basically A God**,” and 2020’s “**Ram Dass Dick Pics**.”

![](https://i0.wp.com/mcusercontent.com/f67b4587af2b2ef9aa80ed984/_compresseds/d5e5b4c5-
b71c-5511-4c91-a46110941b5a.jpg?resize=382%2C253&ssl=1)

**You, Me and Everyone We Know**
Photo credit: **Connor Feimster**

Liebsch tells [**FLOOD**](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=ed42dc1805&e=615f2b8493)(
who premiered the single/video) that “before realizing basic goodness and how essential
we all are to existence,” they doubted they would ever “feel a sense of belonging
anywhere likely due to being taught to feel a sort of shame for existing.” Since
2016, when the band had previously called it quits, a lot has changed in Liebsch’s
journey with their own mental health. With the help of therapy, they’ve begun to
unpack traumas that informed a lot of the perspective of past material and understand
the impact those traumas had on their development as a person. Liebsch has said 
that You, Me, and Everyone We Know is what has kept them alive through all of the“
peaks and valleys of human existence.” This project has allowed them to explore 
facets of their own reality in a way that might have otherwise been unavailable 
to them. Liebsch’s cathartic wails in “draggedacrossconcrete” attest to this.

Their existential frustration permeates as they describe the constant state of “
low-level terror” from PTSD that they’ve experienced over many days, though less
frequent than they once were. Liebsch adds, “Sometimes you’re angry and sad and 
desperate and dealing with a flimsy grip on reality all at the same time. There 
was, and IS now and again, a scream inside me that I felt would kill me if I ever
let it out and yet sometimes at the same time there are no words. The chorus is 
meant to symbolize that scream.” Colins “Bear” Regisford (bassist of Mannequin Pussy)
is featured yelling on the track, to which Liebsch says, “He is a mythical person
in near mint condition with no abrasions.”   

![](https://i0.wp.com/mcusercontent.com/f67b4587af2b2ef9aa80ed984/images/3c29bdb2-
762e-c41e-ef94-1e40daaeb5cf.jpg?resize=266%2C266&ssl=1)

**“draggedacrossconcrete” Single Artwork**

Liebsch tells of often hearing phrases (whether it be from a podcast, commercial,
or elsewhere in everyday life) differently than they are intended, but it often 
bears creative fruit, “draggedacrossconcrete” is an amalgamation of these. The line
in the song “_We all die, why not do it in a parking lot_” they say is from a commercial
that Kenny Beats made with Zach Fox about his merch on an episode of “The Cave”.
The phrase “_First terror, then lunch_” is an off handed comment comedian Pete Holmes
made on his “You Made It Weird” podcast once. The use of French in the chorus – ’
_l’appel du vide_” – is a tiny homage to Christine and The Queens, which Liebsch
says is a French term for the call of the void; “the phenomenon that occurs where
people are on a high place and have the urge to jump.” “_I’m cutting holes in a 
bedsheet_” is a reference to the supernatural film _A Ghost Story_. Liebsch adds,“
I sneak in a little confidence at the end as well, making meta commentary about 
how I feel about the strength of these [upcoming] songs.” The song title is pulled
from the neo-noir crime thriller of the same name, “For a long time, I felt like
being dragged across concrete,” they say.
Each new incarnation of You, Me, and Everyone
We Know has featured a cavalcade of incredible musicians that have helped flesh 
out entirely new pocket dimensions of sound for figurehead Benjamin Liebsch to call
home — even if only temporarily. “draggedacrossconcrete” is only the beginning of
what’s to come with this new perspective and Liebsch excitedly welcomes in this 
new era. **You, Me, and Everyone We Know**’s new single/video “[**draggedacrossconcrete**](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=839bce23dd&e=615f2b8493)”
is out today. 

[Website](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=2bf6843e96&e=615f2b8493)
[Twitter](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=dc0ebf77cd&e=615f2b8493)
[Facebook](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=48530a2ee7&e=615f2b8493)
[Instagram](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=b741fd98d0&e=615f2b8493)

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