# Sub Pop signs AEON STATION, the new project from Kevin Whelan of THE WRENS

- Link: https://www.nyrdcast.com/sub-pop-signs-aeon-station-the-new-project-from-kevin-whelan-of-the-wrens/
- Published: 2021-09-21T13:15:00-05:00
- Author: Eugene Tierney

[[

**Sub Pop signs AEON STATION
the new project of Kevin Whelan from The Wrens

**Listen to “Queens” the first offering from **_**Observatory**_**
Available worldwide
on December 10th

**Stream “Queens”
[https://ffm.to/aeonstation_observatory!PR](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=c9c37e1a20&e=615f2b8493)

![](https://i0.wp.com/mcusercontent.com/f67b4587af2b2ef9aa80ed984/images/79d2773a-
e61a-5c64-16f7-84646fb566d8.jpg?resize=302%2C201&ssl=1)

**Kevin Whelan of Aeon Station**
Photo credit:  Ebru Yildiz

**SEPTEMBER 21, 2021 (New York, NY) —  **Sub Pop has signed **Aeon Station**, the
new project from **Kevin Whelan **of **The Wrens **to release _**Observatory**_,
the group’s debut record, worldwide on **December 10, 2021**_. _The 10-track album
came together carefully for Whelan, over the course of 14 years, specifically, as
clusters of demos and sketches. These were eventually assembled and recorded largely
by Whelan himself, with assistance from Wrens’ bandmates **Jerry MacDonald **and**
Greg Whelan**, as well as **Tom Beaujour **in his Union City, NJ recording space.
Additionally, his wife **Mary Ann **provided backup vocals.
On the group’s debut
single, “**Queens**” you can hear the pounding build to a truly thrilling climax
of huge guitars and frantic drumming. Whelan shares, “This song was inspired by 
one of my all-time favorite songs, “The Winner Takes it All” by ABBA. It’s about
betting on the real you. Like a game of high-stakes poker, you push all your chips
to the center of the table and aren’t afraid to go “all in.” It starts with a solo
vocal, framing the story to come, the drums then propel the song forward, with a
force working its way to a climax of a repeating line –  “You said it was all in.”

**You can listen to “Queens” by clicking [here.](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=59e499f1c0&e=615f2b8493)**

Aeon Station - Queens (Official Audio)

[⌊Aeon Station - Queens (Official Audio)⌉⌊Aeon Station - Queens (Official Audio)⌉

Watch this video on YouTube

**Aeon Station “Queens”**

_**Observatory**_** **is now available for preorder on CD/LP/DSPs from Sub Pop. 
LP preorders from [megamart.subpop.com](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=58813eafb3&e=615f2b8493),
[select independent retailers in North America](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=f6daa7d078&e=615f2b8493),
[in the UK, and in Europe](https://reybee.us13.list-manage.com/track/click?u=f67b4587af2b2ef9aa80ed984&id=a9a090887a&e=615f2b8493)
will receive the album on cloudy blue.
 **About **_**Observatory**_**:**Aeon Station’s
_Observatory _is an epic statement more than a decade in the making, with miles 
of timeless melodies and the kind of overpowering songwriting that will reaffirm
your belief in life itself. Longtime Wrens member **Kevin Whelan**’s first solo 
album draws heavily from the perseverance of the soul, resulting in rock music possessing
an infectious and inspiring sonic uplift. If you’re familiar with Whelan’s past 
work, these ten tracks bear a certain and unmistakable familiarity—but they also
mark an exciting new chapter in Whelan’s musical career, as he steps out with more
vulnerability than ever before. _Observatory _came together carefully for Whelan—
over the course of 14 years, specifically, as clusters of demos and sketches were
eventually assembled and recorded largely by Whelan himself, with assistance from
Wrens’ bandmate Jerry MacDonald and Greg Whelan as well as Tom Beaujour in his Union
City recording space. Additionally, his wife Mary Ann provided backup vocals. “It’s
the best I’ve done and may ever do frankly,” Whelan states. “It’s written over such
a long period of my life. Music I did in the past was tinged with expectations or
presumptions, but this time, it was just for me.”

![](https://i0.wp.com/ucd352d5c6b7373f6c2539e4d3de.previews.dropboxusercontent.com/
p/thumb/ABT2uhotMAFwTfWiyQTpA0B7Xe4OhvomXey9oLy8qbJMHspK3wcbaMRBJkt_pJ_PbhjAwjcOHsPn0soqrF3Fjn8MNr8FiGOBpvoYqFDrj0dgGdeSHMRqTn6rpv9Idair-
RrtvH2n82_o_dOpMeuMCWerewyd_mZt0XaWebNriGPlqsbYEPRs17K3HeLi2LbXfWO6jhuCpUORafkHkXfAkMRqVegloaE0PW60uH6qKkk6FSQ6x8lBb67mxnhbuIZUhAzRWVGTbhrfugK4KHViDxqY2fjPh72IItwX9Y5HZ9yDDgeZZnPqCXcD7Iz_cInaJUeWGlmgzpvewoTHV7qngXTjXkIW8sySXtp0CRULnNYE3QIOF2DDRvxWjJdODymjak9GdVaAZN--
Ke2jAjixl-va/p.jpeg?resize=328%2C231&ssl=1)

**_OBSERVATORY_**
Cover art

The long gestation of _Observatory _means that a lot of lived experience went into
making this album. As time passed, Whelan got married, started a family, and moved
to the Asia Pacific region for a period of time; at 15 months old, his son (now 
eight) was also diagnosed with autism, and the title of _Observatory _itself is 
inspired by Whelan’s own relationship with his son.
“The moment you’re told your
child is not ‘neurotypical,’ your whole world expands in ways you never imagined,”
he explains. “Even though he doesn’t speak much at all, or look at anyone directly,
you can see him observing everything around him. The album title reflects upon the
stories within the songs — each one observing a certain situation or feeling.” Whelan’s
scope of musical vision on _Observatory _is wide open and free with possibilities—
at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene’s
huge anthemic burn, and the Wrens’ own pulsing-with-life take on rock music. Above
all, this is music not only for dreamers but for those who realize and appreciate
the enormity of every moment. “It’s about never letting go about those dreams and
your passion,” he states. “The album starts from a place of realizing that everything
is temporary, what we love eventually changes or leaves us, and regardless we continue
to search and find our way back home.” The pounding “**Queens**” builds to a truly
thrilling climax of huge guitars and frantic drumming, while the steady build of“**
Leaves**” is accompanied by Whelan’s reflections on “Being lost and then found”:“
It musically captures the album as it starts small and intimate, crescendos into
a peak both musically and lyrically, and then settles down into a repeating mode
of a hopeful but uncertain mantra about the future,” he explains while discussing
the song’s themes and creation. Then there’s the gleaming harmonies of “**Fade**,”
a song about breaking past your own insecurities to discover what’s on the other
side. “Whether you limit yourself because of your own fears and insecurities, or
because what others think and say,” Whelan says, “The song is about when you stop
waiting and start believing deeper in your own path.” _Observatory _ends with the
hushed and lush “**Alpine Drive**,” with Whelan’s voice lit by pinwheel plucked 
piano strings—a tender moment that packs as much power as the nine songs that come
before it. “I hope people feel a sense of strength when they hear this album,” he
states while discussing his artistic aims as a whole. “Most importantly, I hope 
that it connects to them in some personal way.” And if you’ve ever caught air in
your lungs or felt your heart beating in your chest, there’s no doubt that you’ll
find some level of connection with _Observatory_’s open-hearted, instantly classic-
sounding rock.

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