# RICHARD ÖHRN To Release ‘Sounds in English’ from Big Stir Records

- Link: https://www.nyrdcast.com/richard-ohrn-to-release-sounds-in-english-from-big-stir-records/
- Published: 2022-10-14T13:00:00-05:00
- Author: Eugene Tierney

**Big Stir Records** is absolutely thrilled to present the solo debut album from
Uppsala, Sweden’s **RICHARD ÖHRN**, best known as the guitarist and one of the songwriters
for indie pop darlings **IN DEED**. The all-new _**SOUNDS IN ENGLISH **_features
the teaser singles “Love And Friendship” and “Take This Bottle”, and sees release
on CD and streaming worldwide November 11, with pre-order and pre-save options live
at [www.bigstirrecords.com](http://www.bigstirrecords.com/) and everywhere now (
with a limited edition vinyl run to follow). It’s a dazzling treasure chest of retro-
modern pop rock gems in a sweeping variety of styles, anchored in the swirling ’
60s sounds of folk rock and chamber pop, shot through with the ’80’s and ’90s alt-
rock drive that fuels so much of In Deed’s music and reaching beyond for something
new, unique, and wonderful.

![](https://i0.wp.com/d10j3mvrs1suex.cloudfront.net/u/284050/374be1f6860164145f818d8a9369bea6d0c4e5bf/
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Working alone over a period of nine years from his home studio in the Swedish countryside,**
Öhrn** has crafted a set of 12 deeply personal but completely accessible tunes and
framed them with the kind of classy, sophisticated arrangements that can’t help 
but evoke the ’60’s. It’s a deeper dive into that era’s sounds than the usual megapopular
influences, though. Richard’s sonic palette more clearly evokes The Hollies, The
Zombies, Simon & Garfunkel, The Searchers and Seekers, and Swedish touchstone artists
like psych-folk heroes Tages (and from later eras, ABBA and The Cardigans). Melody
and harmony are front and center, the guitars are by turns delicate (acoustic finger-
picking and electric 12-string abound) and searing (lead breaks range from angular
postpunk to biting blues in style), and Richard deftly deploys a real piano found
in a thrift store and personally restored. The production sparkles, and each tune
comes alive and connects.

**Richard** signals his intent with the opening “Seal Your Move” which rides in 
on a ringing electric 12-string (that’s **Öhrn**‘s trademark Burns, not a Rickenbacker),
close minor-key harmonies in the vintage folk-rock style, and Mellotron flute lines.
It’s followed by the eerily sweet, intricately finger-picked “5 Month Announcement,”
adorned with more of those otherworldly retro harmonies. And then the sparseness
gives way to the rush of the driving “Time’s Not Running Out,” perhaps the record’s
closest evocation of **In Deed**‘s power pop urgency. Other highlights include the
pastoral, near-baroque beauty of the uplifting introductory single “Love And Friendship”
and a pair of radio-ready pop rockers: “Someone To Forgive You,” which revs up the
Hollies model without losing any of the sparkling details, and the chiming, irresistible
instant singalong “Take This Bottle.”

The utterly hummable yet scathing “Bottle” – a quite literal “hold my beer and leave
me alone” earworm– evokes Elvis Costello, who was an inspiration for the tune. But
where words are concerned, the title of _**SOUNDS IN ENGLISH**_ is a throwback to**
Richard**‘s youth. “As a kid in Sweden, I remember English as sounding cool, a lot
cooler than our native language, when hearing it on television or records. So, you
just made up sounds that were English-like,” he explains. Citing his musician father’s
collection of Beatles, Stones, Dylan, and Simon & Garfunkel LPs as keystones for
his affinity for sonorous or evocative language over anything literal, he continues,“
It’s been said that when listening to music, meaning is not as important as the 
sound of the words. I agree with this in many ways, and since I’m not a native English
speaker, there is the freedom to make up lyrics that are first and foremost ‘singable,’
then perhaps add some meaning or logical sense.”

That freedom nonetheless results in some striking turns of phrase, as when **Öhrn**
sings, in double-tracked harmony, “Deny all the needs with your chewing gum ease”
over the slinky groove of “The Coolest Manners. ” And the yearning for communication
felt on “Love And Friendship” almost mirrors the approach: “We don’t need words 
to say it, but I would if I would know what those would be.” That’s to say that **
Richard** knows what he’s singing about – the pain, joy, regret and determination
to do better that comes along with relationships at all stages.

Nowhere is that so clear as when _**SOUNDS IN ENGLISH**_ dives into the eclectic,
emotive end run of impassioned tunes that close it out. There, **Öhrn** takes on
a number of pop-adjacent genres and makes them all his own. There’s the smokily 
soulful, Beach-Boys-harmony-laden “Every Shade” with its distinctive jangle-and-
slide-guitar break (equal parts Petty and Harrison) and the Tages-and-Searchers-
inspired “I Chose You,” its stately, anguished melody underpinned by hammered piano,
castanets and more 12-string. It gives way to the horn-driven country shuffle “Could
Have Loved You More” and the impassioned piano ballad “If I Could Read Your Mind.”
Even as the coda of that song fades out, _**SOUNDS IN ENGLISH **_still manages to
surprise and delight the listener by crossfading into the pizzicato string-led chamber
pop of the bewitching “Spanish Moon”.

_**SOUNDS IN ENGLISH**_ is a rarity on the modern pop-rock landscape where artists
rush from release to release, barely giving listeners time to breathe. It’s a deeply
personal, immediately captivating work crafted over nearly a decade while **Richard**
applied his talents to numerous other projects, and the time and craft are immediately
apparent. It must be said that the dedication and passion invested in its making
are partly why **Big Stir Records** – we absolutely adore the record! — have committed
to finding it a wider audience than perhaps its creator envisioned. “I don’t have
any further ambitions but to get the music out there, no live gigs or putting together
a band…it’s a studio project,” says **Richard**. “I just enjoy making music so much,
I can’t stop it.” We’ll hear more from **Richard Öhrn** with **IN DEED** very soon,
but his solo debut is a masterpiece in its own right that deserves to take the indie
rock world by storm. Don’t miss one of 2022’s most tuneful and engaging surprises:_**
SOUNDS IN ENGLISH**_ from **RICHARD ÖHRN**.

![Big Stir Records](https://i0.wp.com/d10j3mvrs1suex.cloudfront.net/u/284050/6e93dd79734ce640bf0d4e0e8516effef3acdca4/
original/bsr-logo-email.png/%21%21/b%3AW1sic2NhbGUiLDI1XSxbImV4dHJhY3QiLHsibGVmdCI6MzI2LCJ0b3AiOjE0LCJ3aWR0aCI6NjAwLCJoZWlnaHQiOjMxMH1dXQ%
3D%3D/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.png?resize=333%2C172&ssl=1)

[**Big Stir Records**](https://bigstirrecords.com/)

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