# Review: Best.Movie.Year.Ever.: How 1999 Blew Up the Big Screen

- Link: https://www.nyrdcast.com/review-best-movie-year-ever-how-1999-blew-up-the-big-screen/
- Published: 2021-01-27T12:30:00-06:00
- Author: Eugene Tierney

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**Best.Movie.Year.Ever.: How 1999 Blew Up the Big Screen**
**Brian Raftery****Simon
Schuster Publishing****2019**

I didn’t remember how good of a year for movies 1999 was until I got this book. 
At the time, I was a part time assistant manager at a Blockbuster Video who would
work a couple of weekends a month while in college. I had access to a ton of movies;
I had probably watched 75% of the movies in this book.

Raftery gets the inside scoop of making of many of these movies, looking at society,
the studios, and the writers, directors, and stars of the movies. There was a lot
of good and bad that came out of these movies too; did you know George Clooney and
David Russell got into a physical altercation on the set of _Three Kings_? Did you
remember that the cast of _The Blair Witch Project_ was forced to disappear for 
months to sell the narrative of the film? Not only that, but most of the cast never
got a chance to work in Hollywood again because people believed their screen personalities
were really them.

The book did a good job of selling the stories; so much so that I went back to watch
a few of the movies after reading it. Some of the movies hold up – _The Matrix_ 
and _Three Kings_ – while others didn’t – it was cringey re-watching Kevin Spacey
in _American Beauty_. It also framed the movies around what was happening at the
time – Bill Clinton, Columbine, Y2k.

While the insight to the movies was great, Raftery didn’t go into why 1999 was the
best movie year; in fact, the book really didn’t live up to the title in that regard.
He didn’t compare movies like _The Matrix _and _American Beauty _to those made in
1967 (_The Graduate_, _Cool Hand Luke_, _Guess Who’s Coming to Dinner_) or 1939 (
_Gone With the Wind_, _The Wizard of Oz_). He didn’t explain how the movies of 1999
changed Hollywood, other than the occasional mention of bullet time in _The Matrix_,
or the downstream impacts for those involved with the movies.

My other issue with the book was I wanted more of the stories. Many of the antidotes
were short and could have been stretched to full books on their own, especially 
around movies that were grouped into chapters. It was just enough to get you into
the topic of the chapter, but not always enough to keep you satisfied with the answers.

Overall, it was an enjoyable book. I recommend it for movie fans, especially those
that were around for those movies in theaters.

**Rating: 4.5 out of 5**

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